![]() Be careful to put glue on the stems, not the leaves. Better be safe than sorry.Īnd yes, glue the mint leaves too. The glue gun works great for smooth surfaces like glass but check everything twice. Glue every item of your still life to a background. Make sure that it’s a composition you like because later you won’t have a chance to change it.ĭo you like your composition? Yes? Now it’s time to fix it in place. Or add a cocktail glass with a straw to create the perfect mixture! Apples and oranges are good, but peaches and kiwis may be tricky. You can add other fruits with smooth surfaces. I like pictures that have a place to breathe, so I left a lot of empty space for splashes. Keep it simple and remember to leave some space for falling drops. Create the CompositionĪrrange your limes and acrylic ice cubes in a nice composition. You’ll clean everything up later so just enjoy the process! 4. Keep anything that can be damaged by water (not only gear but any papers and books, for example) away from the setup. The second is to accept the fact that it’s going to get out of control. Set a container directly beneath the scene to collect most of the water. First one is to take measures to avoid the mess. I found out that there are only two things I can do about the mess. The water drops in the middle of your camera lens can create unwanted marks in your photograph. Keep a UV filter on to protect it or have a microfiber cloth handy to clean the lens. Look out for the water on the camera lens too. Be cautious about the direction and speed of the water drops. Prepare a couple of towels and a stack of paper napkins. ![]() Pick a long focal lens to set your camera as far from the action as you can. Keep all electric equipment out of the possible way of water droplets. Remember to take care of the safety of your camera, lighting and other gear. So I set it as far from the action as I could and tried to keep the splashing water away from it. However, I wanted it to be a bright blue color, and the only blue thing I had was a big sheet of colored paper. It’s good if this material is waterproof. Wooden boards of any kind and narrow sheets of plywood will be your best friends here.įor a vertical backdrop, you can use anything with vibrant color. So don’t choose granite or marble backdrops.Īnd it must be made from a material that can survive a glue gun: acrylic and plastic backdrops are definitely out of the discussion. Pick a surface you can turn upside down without much effort. Worth keeping even if you’re not shooting something unusual and dynamic. They work great as general food photography backdrops too. I used two narrow wooden boards for interconnecting flooring. One to place the limes on and another to create a brightly colored background.įor the first one, it’s better to choose something narrow that you can easily take down.
0 Comments
Leave a Reply. |